“…and a complete change came over the colour of the sea and the sky” – Mediterranean works

Chapter in SureS, special edition on Gibraltar, eds., Jennifer Ballantine-Perera, Trino Cruz, Spring, Tangier, 2021

Theorem 2018

Doctorial research in the visual arts and design by Jane Boyer (Author Editor, Nina Danino Essay), pp221-243 Cambridge School of Art, Anglia Ruskin, University. Ruskin Arts Publications.2019

Sorelle Povere di Santa Chiara

illustrated essay in small publication. Funded by an RSAward,Goldsmiths.


pp 41-46. Microcinema New Artist’s Moving Image, Then and Now, Eds. James Mackay, Daniel Fawcett & Clara Pais, Cambridge Film Trust, ISBN 978 1-9998399-0-1 2017

Experimental Film: Catholic and Feminist Readings of my Films 2010-2017

University of Westminster PhD by Publication.

“…and the figtrees in the Alameda gardens” – Gibraltar and the Filmic Imagination

illustrated essay in a small publication Mousse Publishing Milan, ISBN 9788867490356 P32 16.5 x 23.5 cm

Frames within Frames

The Lost Epigraph, Trilogy, a film by Dustin Cauchi, Mousse Publishing 2013 ISBN 9788867490936 pp19-22

“Stabat Mater – A Nameless Place – Film, the Feminine and the Sacred”

Chapter 9 pp150-157 in The Sacred and the Feminine-Imagination and Sexual Difference, Griselda Pollock and Victoria, Turvey-Sauron eds London: I.B.Tauris, 2007 P310 ISBN (Hardback) 978 1 84511 520 3 ISBN (Paperback) 978 1 84511 521 0 1

“Speaking in the Dark; Film the Voice and Teresa of Jesus speaking texts”

Pp 66-77 , Visionary Landscapes, Black Dog Publishing, 2005 ISBN 1 904772 07 2

“Landscape, Film and the Visionary”

Pp120-128, Visionary Landscapes, Black Dog Publishing, 2005 ISBN 1 904772 07 2

“Cinema without Cinema”

Pp29-30, Experiments in Moving Image, Jackie Hatfield and Stephen Littman, eds., Epigraph Publications. 2005 ISBN: 1 902458 06 0 Catalogue essay for the survey show of film and video of 50 years of film and video.

“The Intense Subject”

Pp 8-12. The Undercut Reader – Critical Writings on Artists’ Film and Video, Nina Danino and Michael Mazière eds. London: Wallflower Press, 2002 P 277 ISBN 1903364-47-7

“Temenos and Other Places”

pp20-23, Filmwaves, Issue 5 Summer 1998.

“The Object of Attention”

Reading the Glass, Barber, Kivland and Leyser eds., London: Bookworks 1991

Editor / Convenor

“Religion and Art”

CHASE Symposium November 2020, Forum 2021, Talks 2022

“Women of the London Filmmakers Co-op”

Pp 164-179 (16p). Round table discussion convened by Nina Danino. Authors: Nina Danino, Jean Matthee, Ruth Novaczek, Sarah Pucill, Allia Syed. Chaired by Maria Palacios Cruz, Moving Image Review and Art Journal , MIRAJ Volume 4 No 1 and 2, Intellect Books, 2015

“London Filmmakers’ Co-op – The Second Generation”

pp. 236-247 (12p). Round table discussion convened by Nina Danino and Michael Mazière. Authors: Nina Danino, James, Mackay, Michael Mazière, Vicky Smith, William Fowler, Moving Image Review and Art Journal, MIRAJ, Collectives Volume 3 No. 2 Intellect Books, 2015

“The Undercut Reader – Critical Writings on Artists’ Film and Video”

Nina Danino and Michael Mazière eds. London: Wallflower Press 2002 P 277 ISBN 1903364-47-7. A volume of critical writings on film and video by theorists, critics and artists and including photo essays by artists from the journalUndercut(1980-1990). Prefaced by five commissioned essays by Nina Danino, Barry Schwabsky, Michael Mazière, Michael O’Pray and Julia Knight.


“Interview with Fred Film Radio”

Nina Danino presents her new film I die of sadness crying for you at Fred Film Radio during the London Film Festival 2019. 11 October 2019. Interview by Chiara Nicoletti.

The Upcoming

Interviewer Sarah Bradbury.

Rupture/Rapture/Jouissance – The Religious Trilogy 1990-1997

DVD. Launch Event with a reading from St. Teresa of Avila, 16mm screening of Stabat Mater (1990) and “Now I am yours” (1992). In conversation Nina Danino with the writer Adrian Rifkin hosted by LUX 18 November 2018.

Nina Danino: Capturing an aura – the human presence on film

Interview by Mary White, Cassone, online art history magazine, July 2012.


interviewer Lucy Reynolds published 2 April 2009.

“Now I am yours” – Film, The Body, The Fold

Pp93-101, Interview by Susanna Poole, Experimental Film and Video Anthology, Jackie Hatfield ed., London: John Libbey Publishing. 2006 ISBN 0-86196-664-3

Frame by Frame

Interviewer Alice Mascarenhas, Gibraltar Chronicle, 9 March 2006

Experiments in Moving Image

Nina Danino, Jackie Hatfield, Theo Prodromidis, Resonance Radio, 2004

The Touching Camera: The Body in the Works of Nina Danino, Jo-Ann Kaplan, Sarah Pucill – La Cinepresa Toccante

Documentary dir. Susanna Poole, London Guildhall University and Santalucia Produzione 1998.